The Battle for Wesnoth
|The Battle for Wesnoth|
Title screen (1.8)
|Developer(s)||David White and others1|
|Designer(s)||David White and others|
|Release date(s)||October 2, 2005 (version 1.0)
March 21, 2013 (stable version 1.10.6)
|Problems playing this file? See media help.|
The Battle for Wesnoth is a turn-based strategy video game with a fantasy setting, designed by David White and first released in June 2003. In Wesnoth, the player attempts to build a powerful army by controlling villages and defeating enemies for experience. White based Wesnoth loosely on the Sega Genesis games Master of Monsters and Warsong.2
The Battle for Wesnoth is a turn-based wargame played on a hex map. The strategy of battle involves fighting on favorable terrain, at a favorable time of day, and with enemies weak against the player's units. Other concerns are capturing villages that produce gold for unit recruitment, and positioning units to restrict enemy movement. Games of Wesnoth come both in the form of single-player campaigns and multiplayer matches.
Each unit in Wesnoth has its own strengths and weaknesses. A unit's defense is based on the terrain it stands on; elves, for example, are difficult to hit when fighting in a forest. Different types of attacks (melee and ranged), weapon types (pierce, blade, impact, arcane, cold, and fire), and a day-night cycle that alternately favors lawful and chaotic units, alter the amount of damage a unit deals and receives. Throughout the campaigns, units can advance to higher level counterparts and become more powerful.34
A central design philosophy of the game is the KISS principle; for a new idea to be accepted, it should not complicate gameplay.5 Another important facet of the game is randomness and its manipulation: it is never certain a unit's attack will fail or succeed, only likely or unlikely. Developers have stated that the potential for a skirmish to go better or worse than expected adds excitement and strategic depth to the game.6
The Battle for Wesnoth takes place in a world populated by Tolkienesque races such as humans, elves, dwarves, orcs, and trolls, as well as Wesnoth-specific races such as dragon like Drakes, which are creatures distantly related to dragons, but are bipedal, have an organized, albeit warlike, culture, and are only about 10 feet tall. Campaign stories span the history and geography of the world, but most focus on the eponymous human kingdom of Wesnoth, which suffers frequent invasions of orcish raiders and the undead.
The name Wesnoth was originally developed by the game's creator as a combination of syllables that he thought would sound good as a name for a fantasy land. When the project became larger and more elaborate, the developers created a fictional etymology for the name: the inhabitants of the land of Wesnoth came from the West and North, giving Westnorth, which eventually evolved to Wesnoth. This etymology is explained in the campaign The Rise of Wesnoth.
Each race has their own distinctive qualities, including themes. This theme represents the Elvish territories.
The Battle for Wesnoth currently has six default factions to choose from:
- Consist mostly of elvish units, with ent-like woses, mermen, and mages. Most of their level 1 units are capable of both melee and ranged attacks, making the rebels very versatile. Elves ignore the time of day and have high defense in forests. They are generally faster, but slightly weaker than other units in most other terrain.
- Knalgan Alliance
- These consist of slow but sturdy dwarves with strong melee attacks, allied with human outlaws who fight better under the cover of darkness. Generally, dwarves gain a high defense when occupying mountains and hills. Dwarves are also more adept at traversing caves than any other faction and ignore the time of day. They are vulnerable to attack in open terrain, while their human outlaws fight better in this same terrain.
- These are human cavalry, mages and infantry that ordinarily fight better in the daytime, with mermen allies. They are the most diverse faction, with more units than any other faction except the Knalgan Alliance.
- A faction of orcs and goblins, along with troll, and naga allies. Their focus is on cheap recruiting, brute force, and close combat, fighting much better at night. Most units require little XP (fighting experience) to advance levels. Units often achieve higher mobility when crossing hills.
- The undead are vulnerable to fire, impact, and arcane attacks, but have high resistance against blade, pierce and especially cold damage. The undead rely on easy access to magic and poison attacks. Some units are able to drain health from enemies in order to replenish their own, and most are immune to poisoning. Unlike other races, most undead units have no traits and no personal names.
- A dragon-like race that fights better by day. Most can fly and breathe fire. Their Saurian allies are faster and prefer fighting by night and in swamp areas, though they share the Drakes' vulnerability to cold. Drakes are the most maneuverable faction, though their size makes them prone to attack in most terrain.
The exact units used by the factions, and the faction names, change based on the era or the campaign. The above are the factions of the "Default" era, which is the most played one on the multiplayer servers, and its extension "Age Of Heroes".
There are also a number of user-created factions, several of which are grouped together in downloadable "Eras." For example, the Imperial Era includes the Roman-influenced Lavinians, the Marauders, and the Wild Elves, featuring completely new unit trees and abilities. However, it is quite possible to create factions that can be used in the default eras, though the amount of blessing given by the creators for each may vary.
The stable version of The Battle for Wesnoth comes with 16 campaigns, each of which has various difficulty levels. More user-authored campaigns can be obtained in the form of add-ons stored on Wesnoth's campaign server. The original campaign for The Battle for Wesnoth was "Heir to the Throne", a campaign with 23 gameplay scenarios where Konrad, a young heir to the throne of Wesnoth, allies with rebellious elves and other races to claim the throne from the usurper queen Asheviere, her loyalist army, and her orcish mercenaries. Characters from "Heir to the Throne" are protagonists in campaigns such as "Legend of Wesmere" and "Delfador's Memoirs". Other campaigns feature different factions, like the dwarves in "The Hammer of Thursagan" or "Northern Rebirth" or "Sceptre of Fire", the loyalist army of Wesnoth in "The South Guard" or "The Eastern Invasion", and undead in "Descent into Darkness". Even mermen can be played in "Dead Water", or orcs in "Son of the Black Eye". Finally, "Under the Burning Suns" is set in the distant future, long after the time of the other campaigns.
It is possible to create and distribute additional content, such as campaigns, maps and multiplayer "eras" using an "add-on" system. These add-ons can be downloaded, updated and removed using an in-game add-on server; alternatively, they can be installed and updated by manually downloading the add-on's files and placing them in the appropriate directory, or they can be removed by deleting these files.
The Battle for Wesnoth has a built-in map editor, which supports features such as multiple open maps and random map generation. The editor supports all in-game terrains, as well as custom terrains created for campaigns. The time of day can be selected from one of the built-in presets or custom lighting can be created.7
Using any standard text editor, new campaigns can be created using what is known as Wesnoth Markup Language (WML). As its name suggests, WML is similar to XML and other markup languages in syntax with tags defining events and sides in a scenario. WML has evolved from what was a simple markup/configuration language into a specialized programming language designed for easily modifying the game. Examples for the latest stable version are offered on the site's wiki.8
From the 1.7 development version upwards, code in Lua can be embedded in WML events which gets executed when those events fire.9 From 1.7.14 on, Lua can also be used to create alternate (or supplemental) AI implementations.10
White began development of Wesnoth because he wanted to create a freely-available, open source strategy game with very simple rules, but one that had strong artificial intelligence and that was challenging and fun.2
The game is programmed in C++. It is cross-platform, and runs on AmigaOS 4, BeOS, FreeBSD, Linux (including OS flavors running on GP2X and Nokia n800, n810, and n900 handheld devices), Mac OS X, Microsoft Windows, MorphOS,11 NetBSD, OpenBSD, RISC OS, iOS, Solaris, Android, Playbook and Google Native Client running under Google Chrome.12
Wesnoth development is decentralized due to its free and open-source nature. The officially-blessed campaigns and units bundled with the game download are often derived from content created by the community, somewhat differently from the user-generated content in proprietary games where such content, while available, is usually not incorporated into official builds of the game. The Wesnoth forums and wiki are used to develop new campaigns, including new unit types and story artwork. The game is able to download new campaigns from a central add-on server. Content featured on the official campaign server must be licensed under the GNU GPL, like the game itself.
Even when not counting this community content, the list of contributors to the official version of the game as displayed in-game contains over 550 unique entries (May 2010). Developers of the game also include well-known authors from the free software and open source scene, like the co-founder of the Open Source Initiative Eric S. Raymond,13 or Linux kernel programmer Rusty Russell.1415
As of April 2010 the game is available in about 50 languages, 10 of which have more than 95% of messages translated.16
The art development team was founded by Francisco Muñoz, and directed by Richard Kettering with Hogne Håskjold as the director of terrain art. The current set of portraits were designed primarily by Kathrin Polikeit and Emilien Rotival, replacing the older set of comic-style portraits done by Jason Lutes.17 Most artwork is stored in the portable network graphics format and all are licensed under the GNU General Public License.18
Wesnoth music are based on traditional and medieval styles, albeit produced by synthesizers.
The musical style of the game's soundtrack is orchestral, with a symphony of strings, brass, winds, percussion, and occasionally ethnic instruments when the game allows for it, covering a variety of genre and periods. Because the themes are based on traditional and medieval styles, the music development department rejects all music with synths, loops, drum kits, electric guitars, or any pop/rock instruments.19 Because Wesnoth has no budget and relies completely on volunteer composers, its soundtrack is entirely synthesized.20
The music development team is currently headed by Mattias Westlund and includes some well-known composers like Doug Kaufman and Timothy Pinkham21 and the game's soundtrack is licensed as free music under the GNU General Public License and rendered in the Ogg Vorbis format.22 Because the game is constantly evolving, the current list of soundtracks evolves.23
|Battle for Wesnoth mainlinenb 1 music|
|1.||"Battle Music"||Aleksi Aubry-Carlson||5:18|
|2.||"Breaking the Chains"||Mattius Westlund||3:35|
|3.||"Casualties of War"||Tyler Johnson||3:32|
|6.||"Elf Lands"||Aleksi Aubry-Carlson||0:26|
|7.||"Elvish Theme"||Doug Kaufman||3:25|
|9.||"Heroes' Rite"||Doug Kaufman||3:39|
|10.||"Into the Shadows"||Tyler Johnson||3:25|
|11.||"Journey's End"||Mattias Westlund||3:44|
|12.||"The King is Dead"||Mattias Westlund||2:41|
|13.||"Knalgan Theme"||Ryan Reilly||9:17|
|14.||"The Knolls of Doldesh"||Timothy Pinkham||6:49|
|15.||"Legends of the North"||Mattias Westlund||2:43|
|16.||"Love Theme"||Ryan Reilly||1:35|
|17.||"Loyalists"||Joseph G. Toscano||2:59|
|18.||"Main Theme"||Aleksi Aubry-Carlson||0:51|
|19.||"Over the Northern Mountains"||Mattius Westlund||3:33|
|21.||"Nunc Dimittis"||Jeremy Nicoll||3:50|
|22.||"Revelation"||Joseph G. Toscano||3:50|
|24.||"Siege of Laurelmor"||Doug Kaufman||4:22|
|25.||"Still Another Wanderer"||Timothy Pinkham||4:22|
|27.||"The City Falls"||Doug Kaufman||4:06|
|28.||"The Dangerous Symphony"||Gianmarco Leone||5:26|
|29.||"The Deep Path"||Gianmarco Leone||3:37|
|31.||"Traveling Minstrels"||Mattius Westlund||3:35|
|33.||"Vengeful Pursuit"||Jeremy Nicoll||6:00|
|Included music not officially listed|
|3.||"Weight of revenge"||Doug Kaufman||4:03|
|Battle for Wesnoth available musicnb 2|
|1.||"Theme for Burin the Lost"||NotUncleDave||0:32|
|4.||"War Song"||hiro hito||6:27|
- Mainline as opposed to addons or mods.
- These have not been accepted into the project proper.
The first development release of Wesnoth 0.1 happened on June 18, 2003. In October 2005, the game reached its 1.0 milestone release.24 On January 29, 2012, version 1.10 was released.25 Various versions of Wesnoth have been downloaded from the central site over six million times.26
Reviews for The Battle for Wesnoth have generally been positive. In a 2006 review of version 1.1 of the game, Gametunnel rated it a 7/10, adding that "it may seem like a game that belongs in the nineties, but it is engaging and very well put together".27
In 2010, Full Circle Magazine reviewed the game in Podcast #4. The reviewers called Wesnoth a "very good game", calling the graphics "simple" and "easy to understand" but "dated." The reviewers called the gameplay "pure and simple", but complained about the role of chance in the game, making it an "exercise in frustration", and requiring a policy of reloading and replaying the game that turns Wesnoth into a "challenge of patience rather than brainpower."29
In 2010, RPGFan gave it an 88/100, mentioning that "Despite its generous price tag, BfW offers more quality and quantity than almost any commercial title available."30
- http://www.wesnoth.org/wiki/Credits team
- Lukáš Faltýnek (2005-12-20). "Interview: David White". LinuxEXPRES (12/2005).
- LaCroix, Jeremy (2007-07-20). "Battle for Wesnoth is a ton of fun". Linux.com.
- Alan Berg (2006-04-12). "Battle for Wesnoth". Free Software Magazine (11).
- "Wesnoth Philosophy". Wesnoth Wiki. Retrieved 2010-01-09.
- David White (2008-05-08). "Luck in Wesnoth: Rationale". Wesnoth Forum.
- "Built-in Editor in 1.6". Wesnoth Wiki. Retrieved 2010-01-09.
- "Building Campaigns". Wesnoth Wiki. Retrieved 2010-01-09.
- "LuaWML". Wesnoth Wiki. Retrieved 2010-03-10.
- "Wesnoth 1.7.14 aka 1.8-beta7 is out". Wesnoth Forum. 2010-03-09.
- "The Battle for Wesnoth 1.8 for MorphOS". 2010-04-10. Retrieved 2013-01-21.
- "The Battle for Wesnoth". Chrome Web Store. Retrieved 2012-02-09.
- Developer entry for Eric S. Raymond on gna.org
- Developer entry for Rusty Russell on gna.org
- Video of a talk by Rusty Russell at Australian Linux conference linux.conf.au 2007 about his work on Wesnoth, from here 
- "Wesnoth translation stats". Wesnoth.org. Retrieved 2010-04-02.
- "Credits: Artwork and Graphics". Wesnoth Wiki. Retrieved 2011-02-19.
- "Create Art". Wesnoth Wiki. Retrieved 2011-02-19.
- "Wesnoth: What King of Music?". Battle for Wesnoth. Retrieved 2011-02-19.
- "Music Software". Wesnoth Wiki. Retrieved 2011-02-19.
- "Credits: Music". Battle for Wesnoth. Retrieved 2011-02-19.
- "Wesnoth: Creating Music". Wesnoth Wiki. Retrieved 2011-02-19.
- "Available Music". Wesnoth Wiki. Retrieved 2011-02-19.
- "Battle for Wesnoth 1.0 Release Notes". Wesnoth.org. 2005-10-02.
- "Battle for Wesnoth 1.10 Release Notes". Wesnoth.org. 2012-01-29.
- "Sourceforge stats". Sourceforge.net. Retrieved 2013-01-21.
- David Cupp (2006-04-15). "The Battle For Wesnoth". Game Tunnel.
- W.Russell (2007-10-26). "The Battle For Wesnoth". Phoronix.
- Full Circle Podcast #4: Its [sic] Everyone Elses [sic] Fault, at 41:00
- Bob Richardson (2010-05-30). "The Battle For Wesnoth". RPGFan.
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- Official website
- The Battle for Wesnoth on SourceForge.net
- Gna! project page
- Battle for Wesnoth at The Linux Game Tome
- Official Trailer on YouTube